Reading “The Myth of Whiteness in Classical Sculpture” by Margaret Talbot in the October 29, 2018 online issue of The New Yorker.

We see the back of Marabou’s head as they read an article from The New Yorker on a laptop. The title of the article is “The Myth of Whiteness in Classical Sculpture” is on the left of the screen, to the write is a photo of three sculpted heads, from left to right, there is increasingly more pigment from little to fully painted.